Press Reviews
”The simplicity of the stage and the costume… as well as Keri Danielle Chesser’s un-intrusive sound design supported the performance ever so subtly.”
— LOST IN THEATRELAND reviewof The Masks of Aphra Behn
“…Added to this the sound effects were spot-on. An air raid had you cowering along with the cast as some huge explosions detonated around the room.”
— SUE IN THE STALLS review of Spitfire Sisters
“The sound design (Keri Danielle Chesser) was effective, immersive and practical in the creation of Surinam, plague-ridden London and Antwerp.”
— A YOUNGER THEATRE review of The Masks of Aphra Behn
“…sound effects from Keri Chesser fill in – on one occasion in rather distressing detail – events unfolding off stage.”
— THEATRE THINGS review of The Castle
“Keri Danielle Chesser’s sound effectively evoke transitions in time and space.”
— THE PLAYS THE THING review of The Xmas Carol
“Chilling sound effects from Keri Danielle Chesser, … prove effective in transporting the audience from the lecture room to an icy hell."
— TRAFFIC LIGHT THEATRE GOER review of Mountains of Madness
"Keri Danielle Chesser’s sound design... is boomingly stereophonic, although sparing, and really creates an enveloping atmosphere that bounces around room and set with great effect, adding to the sensory maelstrom that The Lighthouse becomes."
— GRUMPY GAY CRITIC review of The Lighthouse
"...Keri Danielle Chesser creates the sound of the ocean crashing against the rocks and ice. The combination of the design, lighting and sound makes for a stunning first impression, and one which doesn't leave us."
— VIEWSFROMTHEGODS review of The Lighthouse
"The sound design by Keri Danielle Chesser was amazing and at (the right) times eerie."
— Chris Osburn - Review of Follow the Rabbit on TikiChris.com
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